How to make acoustic baffles

Acoustic Baffle / Absorbent Panel Construction Procedure

See the main Eyedrum Acoustics Project page for background info.


Ingredients:

Item Purpose Price/Unit Units/Baffle Cost/Baffle Baffle cross section
3/8-inch plywood structure, improve LF absorption $12 for 4’x8′ sheet 2.04’x4′ $4.00

Baffle-sideview

(burlap not shown in photo)

Owens Corning 703 compressed fiberglass insulation, two inches thick, unfaced Acoustic absorption $0.92/sq-ft 8 sq-ft $7.36 x 2
Polyester batting, 3 ounce weight -OR- Polyester batting, bonded, 1/4-inch thick keep the fiberglass fibers from getting out $1.39/yard off 48-inch-wide roll -OR- $8.99/queen-sized sheet (90″ x 108″) 1.33 yards -OR- 20 square-feet $1.85 -OR- $3.00
Fabric cover: white burlap cosmetic cover $2.77/yard of 36-inch-wide roll 2.33 yards $6.46
Heavy duty hanging hardware $3.00?
Total $30.03

NOTES:

  • The agreed-upon configuration is shown above. See the simple cost calc spreadsheet.
  • Cost per panel drops by $6.56 if 1-inch-thick OC-703 is used — but less thickness means less absorption.
  • Cost per panel drops by $3.50 if natural (light brown) burlap is used — which is actually better due to a more “open” weave, and the natural color may blend in better with the unpainted wood joist ceiling. However, having met with the architecural consultant, she thinks white panels will look better, and effectively provide a visual “drop ceiling” in the space that we plan to use them in.
  • Hardware cost is not known yet — I’m not sure yet how I’m going to hang these. It has to be absolutely safe (we don’t want these things falling from the ceiling), but we don’t want to spend $20 per panel on hardware either. See bottom of page for more information about the hanging hardware.
  • Also need to treat burlap with fire retardant. Cost not yet known. Here’s one product. Could also get it done at a commercial cleaners.
  • Instead of burlap, if you’ve got the money, you can use real acoustic fabric such as Guilford FR 701. It costs $18 per linear yard (66″ wide), so that’s $30 per panel. Ouch. That’s too much for a DIY baffle project like this, but if you’re interested, order directly from Guilford at 1-800-544-0200.
  • The OC-703 is 55% of the cost. Since I’d be buying $500 worth of the stuff (72 panels), maybe I can get that discounted a bit.
  • Since we’re building these ourselves, there’s nothing that says we can’t build these panels to custom sizes. Specifically, I’m thinking 2’x6′ (instead of 2’x4′) because that will fit better between the HVAC duct exhausts. But that will have little to no effect on the total material cost.

Tool / Hardware List

In addition to the major items listed above, you’ll need the following:

  • drill with assortment of wood bits
  • roofing nails with “washers” — (1.75-inch long is OK, 2.00-inch is better)
  • regular scissors, measuring tape, flathead screwdriver
  • 7/16-inch wrench — box or socket
  • power stapler of some sort and staples (7/16-inch T-50 staples are ideal); need about 150 staples per panel; manual staple guns suck.
  • a hammer, preferably a small-sized one and a regular-sized one
  • hooks for the baffles (should screw to side of wood — try 3.5-inch “rope” hooks)
  • screws to attach the hooks to the plywood — 1/4″ x 1″ hex head lag screws (7/16 hex head)
  • hooks for the overhead joists (standard screw-in type)
  • chain or aircraft cable assemblies (see bottom of page for discussion of that issue)

Baffle Construction Procedure

It takes about 2 man-hours per panel to do this procedure, assuming you know what you’re doing (i.e. this isn’t your first one) and you’ve got all the tools and materials ready. More than half of that time is taken up in affixing the burlap. Due to setup time overhead, it is recommended that you build these in batches, instead of one-at-a-time to completion.

  1. Cut the plywood down to 24.5″ x 48″ panels — that’s a half-inch MORE than 24″ x 48″. This means you’ll have three per 4′ x 8′ sheet with scrap left over. The extra half inch means you’ll have a 1/4-inch extra for the top and bottom edges, which will support the baffle when resting on the ground — if the fiberglass panels have to support the weight of the panel, they are likely to shear off of the plywood (they won’t be very well attached). Also, it makes the stapling part a lot easier. The rest of this procedure sucks if you use 24″ x 48″ panels — spend the extra buck per panel for the 24.5-inches.
  2. Drill four 11/64-inch holes in the plywood for the two hooks. The hole pairs should be 8 inches from each side edge (32 inches apart), and the holes should be placed 7/16-inch and 1+9/16-inch from the top edge (1+1/8-inch apart). Which edge is “top” is arbitrary — pick one.
    Baffle-hook Baffle-nail
    Baffle-nail-pattern
  3. Get the hooks and remove any pricing labels from them (it’s easier to do it now than to do it later). Attach the hooks using the lag screws. Orient the hook so that it goes “up and over” the edge of the plywood and points down the “back” side. Hand tighten — don’t strip the plywood. The tips of the screws will probably poke through the back side — that’s OK, the fiberglass panel will cover that.
  4. For the next few steps, be sure to keep your hands away from your face, until you’ve wrapped the fiberglass panels in the polyester batting.
  5. Place the plywood flat on the ground with the hooks pointing up in the air — so the “back” side will be facing up. Place one of the fiberglass panels on top of it, centered on the plywood. Nail the fiberglass panel to the plywood using four roofing nails with “washers”. 2.00-inch nails are ideal, but 1.75-inch nails will do if that’s all you can find. If the nails are “too short”, help the washer push through some of the fiberglass insulation as you nail it in — push the washer edges with your fingertip; it just shears right through it. Nail in a zigzag pattern as shown at right — this ensures that the nails on the opposite sides of the panel will not collide with each other. Use a few heavy hammer blows, otherwise the nail will bend and you have to try again with a new nail. Pound each nail until it’s just barely through the board. You may have problems with this step if the plywood is warped. After each nail, make sure the fiberglass panel has not shifted.
  6. Flip the assembly over and attach the other fiberglass panel.
  7. Cut a 60-inch length of polyester batting (should be 48 inches wide) and lay it out flat on the floor. If you got the queen-sized sheet kind instead of the rolled kind, cut the sheet into three 60″x45″ pieces (with one 30″x45″ piece left over).
  8. Place batting on top of the assembly so that there is 5 inches of batting extending past the top edge of the assembly (the edge with the hooks) and a little bit extending past the two sides. Tug the batting around until it is straight and lined up with the panel. Smooth the batting against the top edge of the panel — it should stick.
    Baffle-burlap6
  9. Lift the panel by the side edges and rotate it in air so that the bottom edge goes up and over, and place the panel back down. Smooth the batting and overlap it with the other batting flap on the top edge of the panel.

    Be careful when you move the panel — PICK THE PANEL UP off the floor, rotate it in air, and place it straight down either A) flat on one of its two faces, or B) on its edge so that the plywood touches the floor and supports the weight. If you tilt the panel up off the floor, and/or lean it against a wall, the weight will be supported by the fiberglass panel, and the nails will probably pull out.

    As you do this, pay attention to whether the fiberglass panels stay nailed to the plywood. If not, then you’ll need to bash the nails in harder, or use longer nails.

  10. Trim the batting on the top and side edges. On the top edge, the two batting flaps should be completely overlapped and each should reach nearly all the way across to the far edge (~4 inches).
  11. Unroll and cut about 110 inches of the burlap. Don’t let the burlap ever get folded (e.g. at any time after cutting it at the store) — it creases easily and the creases don’t come out, like linen. Keep it rolled up, just like they had it in the store.
  12. Place the burlap on the assembly lengthwise so that there is 5 inches of burlap extending past the side edge (pick a side). Center the burlap vertically so that there is plenty of burlap (8 inches or more) extending past the top and bottom edges. If necessary, skew the burlap so that the grain of the fabric lines up with the edges of the panel.
  13. Stand the assembly up on the other side edge, bring the burlap up with it. Be careful when you do this — PICK THE PANEL UP off the floor, rotate it in air, and place it straight down on its edge so that the plywood touches the floor and supports the weight.
  14. On the edge that’s now facing up into the air. trim the burlap so the edge of the burlap is about 1 inch back from the corner of the assembly edge, or about 1 inch beyond the plywood edge.
  15. Staple the burlap to the plywood edge. Pull the burlap up gently as you do this and keep the tension equal across the edge. Try to run the grain/weave straight, too. Tap the staples in with a hammer if necessary.
  16. Pick up the panel and rotate it in mid-air so that the remaining burlap is pulled up over the other edge. Make sure the burlap weave parallels the panel edges. Trim the burlap as above.
  17. FOLD THE BURLAP UNDER (about a half inch) and staple it to the plywood. Do this stapling neatly because people will be able to see it. Tap the staples in with a hammer.
  18. Now rotate the panel so that it is resting on the hooks (upside down).
  19. Trim the burlap on the bottom edge so there’s 1 inch beyond the plywood, as above. Staple as above, folding the corners like you would wrap a gift. This will be the most visible part of the panel, so work as neatly as possible on this seam. Tap the staples in with a hammer. You may want to use one of the big “heavy duty metal staples” at the two ends (hammered in) because the fabric folds get pretty thick there and can pull regular staples out.
  20. Pick the panel up and rest it on the bottom edge that you just stapled.
  21. Staple the burlap to the top edge as above. You’ll need to cut two slits for the the two hooks to poke through.
  22. Rejoice.

Treat the baffles with fire retardant

The fiberglass panels are basically OK as far as your local fire code goes — look for information about that on the side of the bale of the fiberglass panels. Same goes for the polyester batting, and perhaps even the burlap. But to be safe, you should apply some retardant. I have used Inspecta-Shield, which costs about $25 per 1-quart bottle, and covers about 10 panels.

Vacuum each panel first (to get rid of loose lint) and trim off any loose strings. Then simply spray the liquid on using a spray bottle.


Glue loose burlap

You may want to glue down some of the looser flaps of burlap. In particular, if you are hanging these overhead, they look a lot better if the short diagonal folds of burlap at the corners are creased and glued down. Heavy fabric glue seems to work great for this — I used “Super Thick Tacky Glue” — it’s like white Elmer’s glue just thicker. Any fabric store will carry it. Doing this step really improves the look of the panels.


Hang the baffle

There are three proposed ways to hang each baffle. All three ways have the same four hooks installed on the baffle edge (2 hooks) and on the overhead joists (2 hooks). The baffle hooks are not installed using standard threaded-shank screw hooks — instead, special “side-bolting” hooks are used. This is much more secure — the threaded hooks are likely to eventually pull out of the plywood edge.

The three ways to hang it:

  1. Hang it right up against the joists, hook to hook.
    • Cost: zero
    • Pros: cost, no swinging
    • Cons: up too high, no height control
  2. Hang it displaced down from the joists using chain.
    • Cost: about $2.00
    • Pros: height adjustment is easy; ready to use, no labor required
    • Cons: some cost; possible swinging; visually distracting
  3. Hang it displaced down from the joists using aircraft cable.
    • Cost: about $5.00
    • Pros: visually subtle; clean lines
    • Cons: height adjustment is impossible (need new cable/clamp); cable links are labor intensive to build; high cost; possible swinging

Note that while an extra $3.00 for the aircraft cable solution sounds reasonable, multiply that times 30 panels and you just spent an extra $100. Plus the labor required gets very big when building 60 of them.

The main problem with the chain is that it draws the eye, and you usually want these panels to NOT be noticed. There is black “decor” chain, but it is flimsy and designed for cosmetic/decorative use only. I strongly recommend you use “real” chain, because these will be hanging over peoples’ heads.

One cheap option would be to simply paint the chains white (or black, or whatever you want). In fact, that’s what I ended up doing, and it looks great. Simply dunk each 24-inch length of chain into a can of black paint and hang it vertically to dry. Catch the drippings back into the can for the first two minutes or so. The paint I used was Ace Hardware Indoor/Outdoor Rust Stop — Flat Black (need about 0.4 ounces per chain) and it looked great, certainly from a distance.

More hooks and chains can be used if you want it to be even more secure, or to inhibit swinging. Swinging could also be inhibited by very small string (e.g. fishing line) run from the bottom of the chain to a point away from the panel and under slight tension.

2005 Atlanta Film Festival

I’ve been going to the Atlanta Film Festival since the early 90’s, and for the last 5 years or so I’ve been taking that whole week off work and going to every screening that appeals to me. This year was no different … well, no, it was different this year, because I wasn’t able to take the week off from work — too much going on. I still got to see about the same number of screenings though.

So, since I’ll forget if I don’t externalize, here’s the results, in order from best to worst:

Best of the festival

Rize ( AFF desc / website ) — absolutely incredible; saw it twice

Unknown White Male ( AFF desc / website ) — awesome; if you forgot your identity, after you’d restarted your life with a new identity would you still care about getting your old memories back?

Seoul Train ( AFF desc / website ) — documentary about the underground railroad (think human smuggling) trying to get people out of North Korea; bracing, searing, fantastic insight into the horrors of those trying to escape and those who try to help them do it

La Sierra ( AFF desc / website ) — about the teenagers and young men from the slums who make up part of the Colombian conflict; I have to say it was pretty great, because 3 months later it still sticks with me. I saw City of God on DVD recently (including the 1 hour documentary News From A Personal War)and it recalls the same sort of lawless chaos — actually, not lawlessness, really, more like brutal ghetto law.

Interesting

Fall of Fujimori ( AFF desc / IMDB ) — a very strange documentary, smacked of pro-Fujimori propaganda; I’d love to hear the back story.

Boys of Baraka ( AFF desc / website ) — threatened to be feel good crap (hey, it won the audience award, whaddya expect) but was actually alllllright

Twist Of Faith ( AFF desc / website ) — sexual abuse at the hands of pedophile priest; full grown men grapple with confronting the events of their youth; insightful view into how people try to stand up for what’s right, and fail

Take it or leave it

Documentary shorts ( AFF desc ) — not horrible

Education of Shelby Lynn (documentary) ( AFF desc / website )– standard POV fare

Kill Your Idols ( AFF desc / IMDB ) — yet another fawning treatment of the New York nowave/underground scene; surprisingly dull

Liberace of Baghdad ( AFF desc / website ) — vaguely interesting insights into the life of average folks in post Freedom-On-The-March Baghdad; wanted to like it but it was weak and went nowhere; maybe that’s the point.

Please kill me

Hooligans ( AFF desc / IMDB ) — why? why do I keep going to these crappy narrative pics? They are always complete shit, especially the ones with some B-list actor in it (Paul Reiser, Elijah Wood, whatever). And of course it was preceded by some local huckster on stage hyping the shit out of it. So bad I left early. No wait, I actually forced myself to sit through the whole thing, waiting for it to redeem itself, and bolted as soon as the credits started. Elijah Wood fans will love it, I’m sure. Well, at last it wasn’t as bad as the 2004 festival’s The Last Goodbye, which taught me to never EVER attend screenings of locally produced films, and be gunshy about narratives in general. See, the problem is that occasionally there is a good narrative — I loved 2004’s Primer. You gotta play to win …

“weird” narrative shorts collection ( AFF desc ) — crap crap CRAP

Emmanuel’s Gift ( AFF desc / website ) — you know, I can’t believe they actually let this drivel into the festival; I mean, I know that they tend to save the schmaltziest, most geriatric fundraising fluff for the Wednesday Carter Center screening, but this is ridiculous. I guess word got out though, because there were fewer people there than I’ve ever seen at an AFVF/AFF Carter Center screening. Alas, I went and suffered through the whooooole thing (“it’s just a little saccharine, it’s still good, it’s still good!”)

Honorable mention for movies I planned to see but couldn’t; thanks IMAGE!

William Eggleston in the Real World ( AFF desc ) — even if IMAGE could have projected it properly, I still suspect it would have been mindnumbingly dull; not all subjects work on the big screen, folks.

MANA: Beyond Belief ( AFF desc / website ) — Damn it I wanted to see this, and damn it if IMAGE seems to have entirely forgotten how to run their own film festival!

The Beat That My Heart Skipped ( AFF desc / website ) — ditto; sign on the door when I arrived to see it. At previous festivals, IMAGE knew how to get the word out about schedule changes; that’s a skill that they no longer have.

In total, a noticeable step back from recent years. Hopefully IMAGE can recover.

The Hawk Channel

Dsc00851At the rear of the corporate campus where I work, we have a 250-foot-tall radio tower located among a field of large satellite antennas. About halfway up the tower is a platform that has for years been home to a nest for a couple of red-tailed hawks. They usually produce 1-3 new baby hawks every spring.

In mid April we observed the mother hawk staying on the nest pretty much 24-7, and by April 24th we had the first sighting of a hatchling. After confirming that the hatchling existed, I brought my telescope into work and set it up on a high floor of an adjacent building where we had a decent view of the nest (I built an 8-inch Dobsonian telescope several years ago from scratch — it took me a month of weekends). People were able to come by any time to take a look. I didn’t man it the whole time — I just left it there for people to look through.

Dsc00850We have a campus-wide cable television system that feeds our own TV networks (plus a few not ours like Comedy Central and the Weather Channel) to all offices so they can see anything that’s airing at any time for whatever reason. I know the engineer who runs that system, and we managed to get my telescope fed into the cable system. I have a small video camera that hooks up to the telescope focuser (where the eyepiece normally goes) — it was a gift from my Dad about a year ago.

So now everyone on campus could tune their office TV to channel 75 and watch the Hawk Channel. From what I heard, folks were glued to it. I singlehandedly destroyed campus productivity for the month of May.

Dsc00845 We watched the hatchling grow from barely peeking over the edge of the [big, deep] nest, to being just as big as the adults, albeit with adolescent plumage. The mother hawk brought it kills (rats, pigeons, mmmm!) and the baby devoured them. It’s quite the gruesome sight, although I don’t think I ever laughed as hard as I did watching that baby gulp down the last big serving of rat.

About 6 weeks after we first spotted the hatchling, the now full-grown hawk disappeared from the nest. We saw it a few days later at the very top of the tower, and since then have seen it down nearer the ground, apparently learning to hunt, being bombarded by mockingbirds.

It begins.

Yes, I now have a blog.

I’ve resisted doing so until now for several reasons, but for my first blog entry I’d like to write about the one reason that streches back the longest, to before blogs existed.

Should I write?

I’ve been stuck behind two problems that I see with even starting to write. The first problem is that of eventually being embarrassed or troubled or trapped by what I write. I’ve always been kind of happy about the fact that I have no written canon (yes, I said canon, you can laugh now) to bind me to my past opinions. Past opinions that I would now find embarrassing. Past opinions that others would read and use to form their opinions about me NOW, or worse.

Do I have any particularly embarrassing opinions in my past? I don’t think so, but who knows, perhaps I’ve conveniently forgotten them (I do recall voting for Ronald Reagan for president at the age of 18, but I’ve long owned up to that and have already written it off to youthful indescretion). But I guess I now feel like I just need to get my stuff “out there”, if for no other reason than to see what happens. To quote the Butthole Surfers, it’s better to regret something you have done, than to regret something you haven’t done.

The other problem that I’ve been stuck behind is that I’m a perfectionist, and so I’ll never quite feel that what I write is good enough, and I keep adding and adding to it and never just calling it done and leting it go. Being a perfectionist leads to all sort of other things but maybe I’ll talk more about that some other time. Right now I need to just make a reasonable best effort and press the stupid “post” button.

Back to the concept of being trapped by your own writing, I’ve found it liberating that there’s nothing out there to pin down what I think. But another consideration is that without pinning down your thoughts, you can’t examine them completely, and perhaps develop them further and even discover contradictions or other problems. In this regard writing is therapy, and while I don’t think I need therapy (some would dispute that, I’m sure), I am intrigued about the possibility of learning more about myself by doing this. I’ve been thinking about this for what seems like 20 years, and I guess it’s about time I get to it.

So what am I going to write about? I really don’t know, but if the above is an indicator, it’s going to be somewhat personal. I feel like I know more about what it’s not going to be: I’m not going to passing on the latest blogsphere meme, I’m not going to pontificate about politics, I’m not going to wax eloquent about what I had for breakfast.

Finally, I’m not yet comfortable saying my name here, although I expect that at some point I’ll get around to that.

One thing that prompted me to start up this blog is that recently I’ve done a few pretty cool things, and I want to write about them. So here goes.