Brother Gordon — it was just a 15 minute short, but a compelling view of a man who speaks eloquently of his conversion from a life of shady civilian/military contract killings to a life of Buddhism and bringing herion addicts back to a healthy life.
Rain on a Dry Land — standard PBS/POV-style doc; illustrative of how immigrants can get chewed up and spit out by America, especially if they don’t know English well enough to converse verbally; particularly illuminating was one scene where you could see how the system essentially encourages them to have more children because it’ll solve their immediate money problems; this also illustrates the language problem because the state support mechanism was trying to communicate more subtle issues, but the “baby=money” message is what made it through the language barriers.
Rural Rock and Roll — careening between insipid interviews and dopey fun, this documented an inbred indie rock scene located in an isolated corner of northern California (pot-growing hippies, contractor rednecks, students of local liberal arts college). Illustrates well one of my rules of life: The Scene Is Now. Don’t wait for someone to tell you that you’re in the midst of a larger movement or scene, because by the time it’s recognized as such and the word gets out, it’s dead and the energy has moved elsewhere. Make your own scene, do it now, and let someone else write about it later. By the epilogue at the end of movie, all of the bands in the doc had broken up.
Edge of Outside: Independent Filmmakers — talking heads documentary about some key filmmakers who invented “independent”: Cassavetes, Fuller, Peckinpah, even Capra. Produced by the staff of Turner Classic Movies, this will air on TCM on July 5th at 8pm and is well worth watching. I’ll be watching it again to catch all the movie references and make my Netflix queue even longer …
No. 2 — writing was too pat, overwrought; but a nice slice of life in suburban (!) Fiji; adapted from the director’s play, and she probably didn’t (yet) have the skills to translate it to screen properly. Looks like I have a new actress to hate to take the place of Keira Knightley. I’m guessing that this got included only as part of the deal that brought Ruby Dee to the gala that preceded the festival.
Spring is approaching, and the radio tower at work is still up, so I thought maybe we’d be getting a bonus year of
I think they were trying to discourage nesting activity so that they don’t run into trouble later this spring when they get around to finally taking down the tower.
Sadly, this will probably only push TPTB to get that tower down pronto. The hawks will probably find a new place to nest in the tall trees nearby, but it’ll take a couple years before the nest successfully produces chicks — first year nests usually fail, from what I’ve read.
[Chris reporting, a few days after the fact]
Went to the airport, got on the airplane, saw CRAP movies (War Of The Worlds, Dark Water, please kill me), got home, unloaded all of the SWAG out of our suitcases.
A few random pictures: first, most restaurants (except for the very upscale) have wax/plastic models of their dishes on display out front. Do not trust the glisten, this is NOT real food!
A closeup of the architecture of the Meiji shrine.
An incredible parade that just popped up alongside the traffic while we were trudging down the Omote Sando in the Aoyoma district. They were doing a choreographed dance to a song that everyone seemed to know. I saw a twenty-something woman come off the sidewalk and jump right into the routine. I think it’s a song/dance that everyone knows, I don’t suppose there’s an American analogy.
Most buildings have signs indicating the businesses that are up on the non-ground floors — most restaurants are not street-level storefronts. There’s not enough storefront to go around, so you have these vertical signs, sidewalk placards (with glistening food photos or glassed in displays), carneys hollering out their restaurants offerings. This isn’t just in the cute tourist districts, this is everywhere.
This is a view of our hotel room. A sizable chunk of it. The one thing we noticed the minute we walked in for the first time (carrying suitcases) was that there were no dresser drawers or even suitcase stands. D’oh. So we improvised with upended chairs and spreading out on the narrow shelf that ran along the window. Noted: can’t take dresser drawers for granted in a Japanese hotel room. Also noted: high speed internet connection (using my laptop seen on left) was a freaking godsend. I love the internet!
The fabulous “Excelsior Caffe”, with fonting, color hues and store layout details to make it look remarkably like a Starbucks; close enough that a Japanese person not familiar with English or Latin characters might not even notice the difference. There was also a “New Yorker” coffee chain doing the same thing. I spent more time in Starbucks-lookalikes in a week in Tokyo than I’ve spent in my entire life in the US (read: none).
The surely-incredible Tobacco and Salt Museum, sadly closed on Mondays.
Wacky architecture.
We have a friend (hi Mark!) who draws for Marvel, and we were trying to find some Spiderman comics (with Japanese translations) that had his art work to bring home. On Monday we stumbled across an entire Spiderman store, closed. Picture taken through front door — flashback is from the mirror at the back of store; mirror’s are used widely to make spaces look bigger.








